Saturday, October 31, 2009

Arch Enemy Live in Manila : The Experience!

27 October.

It had been exactly a week when I had first seen Arch Enemy in flesh. Indeed I’m so mighty proud to have witnessed them shatter the roofs off of Manila’s World Trade Center.


I wish I had written this piece much earlier and captured the elation I was in at that moment. But then again, not even alien speak can put across the evil sensation that has soaked up my heart. My only regret is that right now, I have gained quite some perspective.


After seven days of exhuming (damn I love that word, however inappropriate) old AE vids and researching for more on the net to feed my fix, I cannot help but fucking compare. It might be good for doing a review, except that this one isn’t. What I plan to share is the intensity of one such electrifying heavy metal experience and not some tale of the tape between the act last week, and the live video that is Tyrants of the Rising Sun.


Having said that, I am keen to accept that Rising Sun is a conscious effort to make the best concert dvd and that it had been well-directed. I’d be better off seeing my heroes in the most primal of their state. And by the way, Arch Enemy Live in Manila sure had one notch of evolution from their previous performances. It had what Ronnie James Dio calls the ‘Disneyland E-ticket’. I’ll get to that bit in a few.


8:18 pm. Without an invite up my sleeve and a brother on the way from the suburbs, I got off the cab and wished I could die on the spot. I had rushed straight from the tight-ass environment of my workplace rolled up in my ridiculous blue uniform with a necktie on. There I was exposing myself to two lines of Arch-hungry fans in all their black t-shirt glory. Now I had become ‘the weird one’, but damn I loved the feeling. Stare me on some more, I’m feelin’ you all!


I got to the end of the line and begged concert security that I be spared with my lighter. There is no way in this world I’m throwing away a Led Zep Zippo to the bin. Later on I figured I was even spared the whole evening as well. I managed to get through the entrance with my fighting knife and realized that after all the rigorous frisking, this is the one city with an ordinance to forbid such weapon. And the manila cops/pigs are everywhere.




8:43 pm. No more Super VIP tickets. Fuck it, there is no meet and greet anyways, I was told. I got two VIP’s, snagged the Rise Of The Tyrant cd’s and bagged the free drinks. I got back out to change clothes and took my brother in. There he was, eager as hell in his long dirty locks and Sic Vic t-shirt but in no way the lesser Arch fan. He had pushed the boundaries for us to be in this threshold. As we had done another round of waiting in line and going through inspection again, we were fortunate enough to see at least Bloodshed. Man, I thought, this is the stuff that would make parents shit in their pants. I’m glad to be here.








9 - 9:30pm. Nothing. Just pure anticipation and bladder pressure control lessons. The crowd is anxious and I’ll be damned if I take my piss and risk the chance of seeing them jump out of the stage.








 


9:31pm. Pure Fucking Metal Mayhem.








The moment they hit the lights and that long ‘boing’ synth of a gong was reverberating, I knew I was in a different haze. Clouds of smoke were creeping through the big Root of All Evil gigantic skulls as the big bat stage backdrop stared dead into my eyes. Right this very moment Arch Enemy all came out and goosebumps started to rise from my spine up to my nape. The intro to Blood On Your Hands had me lost somewhere here and in limbo as I stared up to the newest of my heroes. Then, the much awaited Diva Satanica came out screaming from hell. I could not believe what I was seeing. It was really her in person !


Struck as I am, I was also stunned to be seeing her in full-on black clothing, with tops up to the wrists and leather catwoman tights and boots. I was expecting her traditional torn-jeans, white tank top and black streaks just beneath the eyes. Instead, the strips were in white make-up, as the armbands they all were
wearing were in white. Her hair was not in its usual grease as well, bleach blonde as it was, I figured it grew longer and might have had a wash or two. I’ll bet my bottom dollar everyone in the hall was holdin horses from jumping to the stage and poking her. Conversely, it was the lady beside me who was shouting ‘I love you Angela’.






I swept a glance at the remainder of the band with all the mindful effort I could afford. As I knew that unlike Angela who is German, the rest is Swedish. I knew that this is one different block as they never looked Anglo-Saxon in any way. I am faced with Vikings! And they’re playing serious metal!






Meanwhile, I checked on our cam to see if we were getting some images. But I made it a point for us to enjoy the show and feel the power and intensity and get some recorded stuff later. The crowd was now goin’ freakin’ nuts over shouting ‘RE-MEM-BER!!’. I figured right then and there which songs I must remember to put more stars in my iPod. I will be back for more of the heaviest parts of this night..

Friday, October 30, 2009

Arch Enemy Fever..




I will be back for the ultimate Arch Enemy experience, World Trade Center in Manila, 20th of October...

Thursday, October 15, 2009

World Painted Blood this Halloween!!!


Paint your town red this Halloween as the most evil band in the world sets off its trebuchet with its latest flamin’ release, World Painted Blood!!

In a few weeks, Slayer will be back in all their blasphemous glory!!!!

Pardon me, if you will, for handing you too much up-for-grabs, I’ll be back to give you a rundown of all the material I’ve written that are not out yet by the time of my writing. But please, join me in the frontline as I bleed my eardrums! How you get your music is none of my business, I know every die-hard metalhead enough to know that when you like some band too much, you’re gonna go legit on its latest deal to satiate your craving. In the meantime, I’ll kick it off with what’s steaming from the Kitchen of Hell prowled upon by Kerry and company.

Right now Slayer has been placing dots on the world map for their upcoming tour. (Damn if I get another rumor of them devils paying Manila a visit!) True enough, it was a world map that they unveiled recently in their official website as the cover art for its latest release. Except that you don’t get the demarcation lines as the land markings are all made up of skulls and bones, all in crimson splendor. I reckon the map is not in one plate, but something that you form out of four different covers. I can’t quite grasp the idea yet but for damn sure I’m going to know it first hand.

While some singles have been leaking out on the internet for over a year already, I haven’t played anything yet even in various Slayer social networking sites. In this type of music, you sure wouldn’t want to hear it raw and in preview. And I’m waiting for the real deal. While at it, I’m lashing on my curiosity with bits and pieces straight from the Slayer camp. I have one most intriguing post from Dave Lombardo via Metal Hammer a few months back. There he said something like, this time, Slayer will be sticking to the melodies to bring this album about. Also he spoke of how one shouldn’t be afraid of hooks to make a catchy tune. Truly Slayer is not going glam on this one but by what he meant I’m completely lost. Several decades and they did not reinvent themselves. The word ‘sell-out’ has sold out a million times already but they stuck to their guns. The last I remember of them out of their league was through Undisputed Attitude. And it’s not that too way out of the line either. But hooks? On a Slayer song? Today’s Twitter post from Lombardo has got him using the word ‘melody’ again. Go check it yourself, I didn’t go that far enough to remember it. Nevertheless, that doesn’t mean I’m reservin’ on my devil horns for this one. Hell I might even like it better for cryin’ out loud.

World Painted Blood sets Japan on fire 28th October,  Australia on the 30th,  North America November 3rd and the rest of the world on 2nd November.

Tuesday, October 13, 2009

New Winger album - Karma

Say all the fuck you want about this genre and this band but the level of musicianship Winger brings us is just too high to ignore. Reb Beach? He has never failed to melt me with his classical and jazz-influenced solos. Double that up with John Roth's blues-based playing and you got yourself a fine double-edged stab. Rod Morgenstein is one of the greatest on the skins out there and I heard he's revered as well by the Norwegian drummers (well, what difference does it make, both these genres are identified with make-up). Kip Winger? Damn that voice! Bas Bach may hit higher notes but Kip's is more of my league, not too top-of-the-instrument yet stone cold solid . And did I tell you he's a music teacher?






Though with every member almost at the top of their field, frankly I feel it was fairly reasonable why they became the subject of Beavis and Butthead's tall story and Lars Ulrich's dartboard. The initial record off this flank was just too glam gay with hits like 'Madelaine' and 'Seventeen'. The first and only time they got me hooked on their renewed style was through their '93 offering Pull. I just thought that they experimented way too far with Winger IV.


But that doesn't mean I'm gonna quit checking on new stuff out of their armory. Their MySpace profile just got updated with overwhelming promotional functions and side players with previews of every track off their upcoming new record Karma. Seen as a coming-full-circle move of some sort, Karma in the holistc sense sure sets to be the most appropriate title of all.





Set to be released this 16th of October, I've been playing in advance all the tracks to handle my expectations. Damn if I don't get any 5 stars for my playlist from this but I'm sure as hell there's a lot to be learned from here technique-wise.




Saturday, October 3, 2009

The song to hear when you have just lost someone so dear..



Brought to us by the greatest frontman this genre has ever known is this sad song of mourning. I am inclined to believe he wrote this as a tribute to his old man, which up until now is a loss he has not recovered from yet.


So long my dear departed
Where did you go?
I can't believe your gone and
The nights go on so slow

I'm missing you each morning
Days gone by
Again I feel the longing
To look you in the eye


You know I'll never let you go
You know I'll never hurt so bad
And if it takes a thousand years
I will be right there by your side

You know I'll never hurt so much
When I lost you I was blind
And every time I catch my tear
I will be right there by your side

I feel you when you're watching
From afar
To young to leave me standing
I wonder where you are

The precious time we spent
The fondest memories
I hold on to the promise
That you made to me


I stare into his eyes
And then I see your face
Undying love inside
A love you can't replace

You're looking down with pride
Let me show what I can't tell

So long my dear departed
Where did you go?
I can't believe you're gone and
My life goes on so slow